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It’s vast. It’s solemn. It’s spectacular. Red Square lies like a giant theatrical set at the foot of the Kremlin, with onion domes, granite tombs, and Soviet ghosts embedded in every brick. Tourists pose. Soldiers parade. Protesters whisper. Presidents walk in choreographed silence. But beneath the stone lies a curatorial provocation - How do you exhibit a nation’s soul, when the soul is still in flux? And how do museums engage with public spaces that are already curated by g

A boat is swallowed by a wave. Sailors flail. The mast splits. One man retches overboard. Another clings to the rigging. Christ sleeps....

She turns not toward us, but away. Her face is lit with focused thought. Her hands, elongated and poised, cradle a white ermine. The...

For centuries, museum guides have been storytellers, interpreters, and companions, helping visitors navigate the treasures of cultural...

For centuries, museums have curated experiences for the many. Now, with artificial intelligence, they can curate for the one. Advances in...

Stone walls. Iron gates. Ravens on the ramparts. Ghosts in the corridors. For nearly a thousand years, the Tower of London has stood as a...

Museums have traditionally been spaces where experts decide what is displayed, how it is presented, and whose stories are told. But...

In the heart of Amsterdam’s Rijksmuseum, The Night Watch refuses to behave like a painting. It doesn’t hang silently. It advances....