Museums & Exhibitions

For generations, taxidermy has been one of the defining features of natural history museums. Majestic dioramas, soaring birds, and lifelike mammals have inspired awe and curiosity, offering visitors an intimate glimpse into ecosystems they might never encounter in person. But as society’s understanding of animal rights, conservation, and environmental responsibility evolves, taxidermy is being reconsidered through a new ethical lens. Today, museums are being asked to justify

Discovered in 1974 by farmers digging a well near Xi’an, the Terracotta Army shook the world. Buried for over 2,000 years, thousands of life-sized warriors, horses, and chariots emerged from the earth, silent, staring, ready for battle in the afterlife. Each figure is hand-molded. Each face is unique. They stood guard over the tomb of Qin Shi Huang, the first Emperor of a unified China. But they also stood as a ‘monument to belief’, not just in the afterlife, but in the power

Museums have long been seen as neutral ground, places that preserve, interpret, and educate without taking sides. But in an era marked by social movements, political upheaval, and urgent global crises, neutrality is increasingly viewed as a form of silence. Today, museums around the world are stepping into a new role: not simply observers of history, but participants in it. Through courageous exhibitions, community collaborations, and bold public stances, museums are emerging

When conflict erupts, the first images often capture human displacement, destroyed homes, and fractured communities. But woven into these tragedies is another, quieter crisis: the endangerment of cultural heritage. Museums in war zones face a dual battle, protecting lives while protecting legacies. Their collections, buildings, and archives become targets not only of collateral damage but sometimes of intentional erasure. Yet amid danger, these institutions demonstrate extrao

Every major city boasts its celebrated cultural giants, the monumental museums that appear on postcards and travel itineraries. Yet scattered across the world are countless smaller, quieter institutions that hold stories just as rich, objects just as rare, and histories just as essential. These “forgotten museums” may not enjoy the spotlight, but they embody the true spirit of cultural stewardship: intimate, local, and profoundly human. In an era when global audiences pursue

Art heists occupy a unique place in the public imagination, equal parts glamour and crime, myth and reality. Films romanticize them, headlines sensationalize them, and legends grow around stolen masterpieces that vanish without a trace. But for museums, the threat is neither cinematic nor abstract. It is a daily challenge: how to safeguard irreplaceable cultural heritage in a world where thieves are becoming more sophisticated, technologies evolve quickly, and risk is increas

Stone towers. Gothic arches. Steel cables strung like a harp across the sky. Since 1883, the Brooklyn Bridge has done more than connect Manhattan and Brooklyn, it has linked American ambition with collective imagination. For museum professionals, the bridge offers more than an architectural marvel or a historical landmark. It proposes a question at the heart of cultural practice: How do we exhibit an artifact that isn’t housed within a museum but is one? A Monument to Risk an

Museums have always been places of learning, but their greatest achievement may be something less measurable: the ability to evoke wonder. That quickened heartbeat when standing before a prehistoric fossil. The quiet astonishment of seeing a single brushstroke from centuries ago. The sudden realization of one’s smallness under a planetarium dome. These moments of awe are not accidental; they are designed. Behind every breathtaking exhibit lies a sophisticated choreography of